A potent bassline from Simon Gallup intros this track, followed rapidly by epic gated snare and swathes of psych-rock guitar. He came up with a radical solution: the band would completely reinvent themselves, pursuing a more whimsical and commercial pop direction, with Lol Tolhurst moving from behind the kit to keyboard duties. Recorded UK double 180gm vinyl LP pressing in gatefold sleeve. Page 1 of 1 … When he arrived drunk to the mixing session for the album at RAK Studios in London, a shouting match ensued, which resulted in Tolhurst walking out of the studio. “It was never a serious atmosphere in the studio, and when you think about the album and how dark it is, I’m sure people think we were sitting around slitting our wrists, with candles and chains hanging from the walls.” Calling the album Disintegration was tempting fate, and fate retaliated.” As one NME journalist put it at the time: “How can a group this disturbing and depressing be so popular?”, ‘I think you’d be hard-pressed to find many artists who don’t like The Cure’. Cynicism enters your world and you get numb”. Eight studio album by the English rock group, originally released in 1989. They’d always been good at this kind of album, too. Creative Conflict If I’m remembering correctly, the first pressings of Disintegration actually said, in the liner notes, “this album was mixed to be played loud, so turn it up.” It was intentionally created with headroom to spare, and designed to be full of space—every instrument surrounded by air, every echo trail clear and audible, an album that was above all comfortable to listen to. They forged a jagged, edgy kind of pop with lyrics inspired by literature, as evidenced on the Albert Camus-inspired demo Killing An Arab in 1978. At its conclusion, Gallup left the band, Smith went to work with Siouxsie and the Banshees and the two men did not speak to each other for the next 18 months. He came up with. “He was out of step with everything,” Smith said in James Brown’s 1989 book, Despite such conflict, O’Donnell recalls much “laughter, joking and fooling around” during the recording of. Barbara Ellen in NME hailed Disintegration as “a mind-blowing and stunningly complete album”. The very last outcome he’d envisaged was a surge in sales.

Once again, there are at least two minutes of instrumental before Smith’s vocals enter. At this point, the band dropped their anti-image stance, opting instead for the towering backcombed hair, panda black eyeliner and smeared red lipstick, an image that would come to define them. Best Buy has honest and unbiased customer reviews for Disintegration [LP] - VINYL. Thirty years on from its release, Disintegration remains their enduring masterpiece. His concerns were fuelled by his abject fear of turning 30 and the realisation that most great works had been recorded by artists well before the onset of their fourth decade. After all, there is plenty of doom and gloom on display to satisfy the most ardent Goth but that would be only telling half the story, for there are moments of beauty, tenderness and passion also. They forged a jagged, edgy kind of pop with lyrics inspired by literature, as evidenced on the Albert Camus-inspired demo. Pitchfork is the most trusted voice in music. Against all expectations, as Neil Crossley explains, it was the album that would become their crowning achievement…. By 1980, Dempsey had left to join Associates and been replaced by Simon Gallup. But they have remained revered and respected in equal measure. “There was just this look of absolute dismay on their faces,” Smith recalled, adding that the label wrote to the band accusing them of “committing commercial suicide” and being “wilfully obscure”. (You can also chuckle at the cheery-sounding ones that obviously got axed along the way.) Read helpful reviews from our customers. Try again. It’s monolithic, and most of the songs work the same way. On Disintegration, all the best elements of The Cure converged: the pop-hook sensibilities, the dark alienation and the relentless intensity that draws the listener in. It was their first masterpiece, a record of bleakness, infused with moments of exhilaration and beauty. Buy Disintegration. By the summer of 1983, a new version of The Cure had emerged, with Smith, Tolhurst and new members Phil Thornalley (bass) and Andy Anderson (drums). “I think you’d be hard-pressed to find many artists who don’t like The Cure,” Robert Smith told Dorian Lynskey of, The suburban no-man’s land of Crawley in West Sussex was the birthplace of the band initially called The Easy Cure, formed in 1976 by school friends Robert Smith (vocalist, guitarist and principal songwriter), Michael Dempsey (bass) and Laurence ‘Lol’ Tolhurst (drums). In August 1989, the band arrived in New York to begin the US leg of their The Prayer tour, to promote eighth album Disintegration. Lyrically, Smith is wounded and despairing: “You shatter me your grip on me a hold on me/ So dull it kills/ You stifle me/ Infectious sense of/ Hopelessness and prayers for rain.”. “There would be something like ‘Sleep now, pretty baby,’ and then there’d be an ‘Or you won’t wake up at all’ coda to the song,” he said. Or at least that’s one theory. 8 in the UK Album Charts, and was followed by the ‘Fourteen Explicit Moments’ tour. According to keyboardist Roger O’Donnell, the band disliked Lovesong. “There would be something like ‘Sleep now, pretty baby,’ and then there’d be an ‘Or you won’t wake up at all’ coda to the song,” he said. Within the lyrics, Smith quotes a girl who compares the weather to death and complains about feeling old. If you want to be crushingly depressed with Disintegration, or frustrated, or self-loathing, it’ll embrace you right back. Once again, there are at least two minutes of instrumental before Smith’s vocals enter. In stock. One of my first big memories of listening to Disintegration involves wandering around the Colorado State Fair, from the agriculture show to the gang fights by the midway. Three decades on, Disintegration is acknowledged as an outstanding creative achievement. By the summer of 1983, a new version of The Cure had emerged, with Smith, Tolhurst and new members Phil Thornalley (bass) and Andy Anderson (drums). Cello motifs enter the mix at 1:15, enhancing the poignancy of the song. Pope’s 1990 video, based on David Lynch’s 1977 debut horror film Eraserhead, went on to win a BRIT Award for best video.



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